OLENA CHERVONIK talks to Georg Elben from Videonale about the festival’s future.  

KATERYNA BOTANOVA explores whether football fans can become contemporary art neophytes.  

MYKOLA SKYBA attempts to predict Arsenale's future and its potential impact on Ukrainian art institutions.  

OLENA CHERVONIK sees the demonstration of otherness as the essence of contemporary art.  

EKATERYNA STUKALOVA regards the exhibition “Hnylytsky. Cadavre exquis” as a model of how to present the “new wave” of art  

LARISSA BABIJ sees “The Journey to the East” in Bialystok as a space for new models of cooperation based on love.  

OLGA BALASHOVA pays tribute to Cai Guo-Qiang’s project, but finds no justification for its monumental naivete  

Vitaly Komar tells OLENA CHERVONIK about the system as a common enemy and about freedom as a rope.  

Reflecting on Volodymyr Kuznetsov’s exhibition, ANDRIY MOVCHAN notices that the contemporary media game has replaced the bloody riots of the past